Yuki Kihara
b. 1975, Sāmoa
Lives and works in Sāmoa
Yuki Kihara is an interdisciplinary artist of Japanese and Sāmoan descent working and living in Sāmoa. Her research-driven art practice challenges dominant historical narratives and their socio-political persistence in contemporary culture, often exploring the intersectionality between identity politics, decolonisation and ecology. Kihara incorporates Sāmoan aesthetics and cultural codes through performance, collage, photography, film and curation, redirecting viewers to the concerns of contemporary Pacific Islanders.
Kihara’s projects are often rooted in Pacific communities that are co-created locally but designed to circulate, speak to, and influence local and international audiences, institutions, and discourses – without losing accountability to the community that shaped them. Kihara's practice is widely considered to be at the forefront of contemporary Pacific art and cultural theory today.
International recognition followed Kihara’s solo exhibition Living Photographs (2008) at the Metropolitan Museum of Art in New York. Presented in the Department of Modern and Contemporary Art, the exhibition highlighted her interdisciplinary practice and resulted in the acquisition of works for the museum’s permanent collection.
Kihara’s works have been exhibited extensively both locally and internationally, with works presented at the Gwangju Biennale (2023); Aichi Triennale (2022); Bangkok Art Biennale (2018); Honolulu Biennale (2017); Asia Pacific Triennial (2015 and 2002) and Sakahàn Quinquennial (2013). She has been the subject of solo exhibition worldwide, including Fine Arts Museums of San Francisco; Powerhouse Museum; Sainsbury Centre; and the Pātaka Museum.
In 2022, Kihara became the first Pasifika artist to represent Aotearoa New Zealand at the 59th Venice Biennale with her solo exhibition Paradise Camp, curated by Natalie King. The project garnered significant international attention and has subsequently toured to a number of institutions.
Her work is held in over 30 permanent collections worldwide, including the Museum of Modern Art; Metropolitan Museum of Art; Los Angeles County Museum of Art; Fine Arts Museum of San Francisco; Ny Carlsberg Glyptotek; Kaohsiung Museum of Fine Arts, Taiwan; British Museum; The National Museum of World Cultures, The Netherlands; Sunpride Foundation, Hong Kong; National Museum of Scotland; Queensland Art Gallery | Gallery of Modern Art; National Gallery of Australia and Te Papa Tongarewa Museum of New Zealand.
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Woven Memories: Evan - American Sāmoa, 2026 -
Woven Memories: Evan - Aotearoa New Zealand, 2026 -
Woven Memories: Evan - Fiji, 2026 -
Woven Memories: Evan - Sāmoa, 2026 -
Woven Memories: Evan - Tonga, 2026 -
Woven Memories: Evan - Wallis and Futuna, 2026 -
Amos, 2025 -
Evan, 2025 -
Gita, 2025 -
Heta, 2025 -
Olaf, 2025 -
Osai, 2025 -
Pola, 2025 -
Tino, 2025 -
Tuni, 2025 -
Ula, 2025 -
Vicky, 2025 -
Wasi, 2025
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Sydney Contemporary 2026
Booth A03 3 - 6 Sep 2026 OffsiteOur presentation at Sydney Contemporary 2026 brings together a group of internationally recognised artists whose practices are united by a deep engagement with materiality, transformation, and the relationship between object and surface. With a particular focus on sculpture and materially driven wall-based works, the booth explores how artists use diverse mediums, from bronze and stainless steel to charcoal, textile, pigment and paint; to create powerful physical and conceptual experiences.Read more
Works by Tony Cragg, Lee Bae, Yuki Kihara, Gregor Kregar, Bosco Sodi, Colin McCahon and Grace Wright all create a dialogue between established and emerging voices, connecting painting, sculpture, textile and installation through a shared interest in process, surface and materiality.
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In that stone, in that cyclone, in that leaf
Group Exhibition 2 - 26 Jul 2025 Auckland CityEarlier this year, wildfires rocked the Greater Los Angeles area, destroying thousands of buildings and burning over 50,000 acres. Extreme weather events – cyclones, rainstorms and floods – are increasing with the impacts of climate change, which pose a very real threat for Pacific nations. This exhibition, In that stone, in that cyclone, in that leaf, brings together a group of artists whose practices explore and expand contemporary perspectives on place, identity and environmental concerns in Aotearoa and Te Moana-nui-a-Kiwa. It features the work of represented artists Shane Cotton, Brett Graham, Reuben Paterson, Patricia Piccinini, John Pule and John Walsh, with invited artists Star Gossage, Emily Karaka and Yuki Kihara, and the late influential painter Colin McCahon (1919-1987).Read more
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Yuki Kihara at Adam Art Gallery Te Pātaka Toi
July 14, 2026Works by Yuki Kihara are presented in a group exhibition Not A Solitary Feeling , at the Adam Art Gallery Te Pātaka Toi in Te...Read more -
Now Representing Yuki Kihara
June 3, 2026Gow Langsford Gallery is pleased to announce its representation of internationally acclaimed interdisciplinary artist Yuki Kihara. Kihara works across photography, performance, video, sculpture and textiles....Read more -
Yuki Kihara at 4A Centre for Contemporary Asian Art, Sydney
March 27, 2026Opening on 18 April 2026 at 4A Centre for Contemporary Asian Art, Sydney , High Tides: Yuki Kihara and Morgan Hogg brings together a presentation...Read more -
Yuki Kihara on cover of Art New Zealand
With Article by Cameron Ah Loo-Matamua December 9, 2025Yuki Kihara features on the cover of Art New Zealand Issue 196, accompanied by a conversation with Cameron Ah Loo-Matamua that traces her expansive, multidisciplinary...Read more -
Yuki Kihara at Gus Fisher Gallery
July 22, 2025As well as the three works presented in our In that stone, in that cyclone, in that leaf exhibition, five more woven pandanus mats from...Read more -
Yuki Kihara Interviewed for ArtReview
April 9, 2025In a recent interview for ArtReview , Yuki Kihara invites readers into the expansive and subversive world of her practice, where performance, film and archival...Read more
