Writer Paula Green shares her thoughts on Michael Hight's current exhibition Headwaters.
"Art becomes an intimate trigger point. Personal private idiosyncratic. Looking at the suite is meditation. Still life as a weave of light and dark. And perhaps in this interplay, we can see how Headwaters draws day closer, dissolving the border between light and dark, enhancing the juxtaposition between interior and exterior. Shadows on the wall favour domestic life as opposed to the external world. The tablecloth on the ledge establishes a connecting domestic chord. Objects that make light resonate."
Read the full article here.
December 17, 2024
