Max Gimblett's latest exhibition Hands of Gold has been reviewed by John Hurrell on EyeContact.
"Of the two rectangles, the two metre high The Wild One, is grossly over-complicated from a distance—seemingly nonsensical—yet it suddenly makes gorgeous sense close up, with its myriad juxtaposed textures, iridescent sheens, and ferociously competing (granulated, tonally contrasting, jostling) fragmented vectors. It is a whirlwind of overloaded vibrating sensation, blasting the viewer with vivid optical patterned energies.'
Read the full review on EyeContact.
June 12, 2024
