John Hurrell recently reviewed Simon Ingram's most recent solo exhibition Digital Plastique, held last month at our Lorne St Gallery.
"There is also interest in inconsistency or saturation of colour, the way that in a stroke the hue becomes anaemic, losing over distance its chromatic power so that a continuous line becomes watery. Then there are the lines that result from wet strokes being applied on wet backgrounds; the supporting colour underneath creating a streaky marbling effect within the robot-drawn linear vector. These lines are normally more rigid and less frenetic than the wobblier hand-drawn flourishes."
Read the full review here.
July 1, 2017
