A new article on Contemporary HUM by Jodie Dalgleish explores Judy Millar's recent body of work and discusses her practice.
"Then, I see that each painting’s spatial action comes not only from its curving ‘brushstrokes’ but also from the possibilities of colour. Framed ‘colour focal fields,’ as I call them with Millar’s approval, become characteristic of the work and precipitate formal interactions that are constantly backgrounded and foregrounded in layers of painterly detail." - Jodie Dalgleish
Read the full article here.
February 21, 2018
