John Hurrell reviews Andre Hemer's Day Paintings exhibition on Eye Contact.
"Like a conceptual flamethrower, Hemer's richly associative (and overtly decorative) works incinerate any notion of media purity, violently spurning intrinsic material properties, in a sense mocking art history with its lists of genius media specialists. Their rhetoric is mischievous and exciting, aggressively zeroing in on any limiting border in order to breach it."
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