Dawn and Dusk: Paul Dibble

Haeata/Dawn and Porehu/Dusk (2002)continues Paul Dibble’s exploration of seated figures, a theme he has revisited since the mid-90s. A reinterpretation of Michelangelo’s figures from the Medici tomb, the work explores classical European art history through the lens of New Zealand's cultural landscape. The figures are cast in bronze and presented as semi-reliefs perched atop monolithic cubes, creating a stark visual contrast between their elegant linear forms and solid, grounded bases.

These works demonstrate Dibble’s ability to convey a deep connection to place within his practice. Their titles, translated into Te Reo Māori and inscribed onto the figures in a script from the first Māori Bible, highlight a connection to local culture. Positioned at the entrance of the gallery, these lone figures evoke a sense of solitude and contemplation, offering viewers a moment to reflect on change and the passage of time within the context of New Zealand’s landscape and history. Dibble's ability to merge European art historical references with indigenous culture and local scenery results in works that are both globally informed and deeply rooted in the specificities of place. Haeata/Dawn and Porehu/Dusk is an artwork with asignificant contribution to New Zealand’s contemporary art scene. 

Paul Dibble was a leading artist of his generation. He created a rich body of sculptural works for public and private contexts over the course of decades. Dibble’s work features prominently in public collections across the country, including Te Papa Tongarewa, Museum of New Zealand. His work is the subject of three monographs: Paul Dibble X: A decade of Sculpture 2010-2020, The Large Works (Bateman, 2012) and Paul Dibble (Bateman, 2002). He studied at Elam School of Fine Arts, University of Auckland, receiving a Bachelor of Fine Arts in 1967 and was awarded an Honorary Doctorate by Massey University in 2007. Gow Langsford Gallery represented Paul Dibble from 1990 – 2023 and continues to represent his estate.