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Hands of Gold: Max Gimblett

Past exhibition
5 - 29 June 2024 Auckland City
  • Overview
  • Works
  • Installation Views
  • News
  • Press release
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Overview
Max Gimblett Hands of Gold, 2022-23 gesso, acrylic & vinyl polymers, size, 23kt French Red gold leaf on canvas & wood panel 63.5 x 63.5 x 5.1 cm 25 x 25 x 2 in
Max Gimblett
Hands of Gold, 2022-23
gesso, acrylic & vinyl polymers, size, 23kt French Red gold leaf on canvas & wood panel
63.5 x 63.5 x 5.1 cm
25 x 25 x 2 in
This depth of underlying philosophical thought opens up an array of interpretive possibilities. A viewer can engage with them as meditations on the human condition, as richly emotional works of expressionism, or as satisfying works of abstraction with a unique aesthetic. However one chooses to engage with Gimblett’s work, its quality is undeniable.

Gow Langsford is delighted to present Hands of Gold, an exhibition of new works by Max Gimblett. Hands of Gold features a stunning array of paintings, the majority of which take the quatrefoil shape – a hallmark of Gimblett’s oeuvre. While this essential form repeats, the treatment of surface varies considerably from work to work. There are evenly surfaced monochromes, grid-like patterns, and extravagantly gestural brush strokes in a rich array of colours. What shines through in this diverse range of approaches to painting is the quality of Gimblett’s craft and his distinctive artistic vision.

Works
  • Max Gimblett, Hands of Gold, 2022-23
    Max Gimblett, Hands of Gold, 2022-23
  • Max Gimblett, Pilgrim, 2023
    Max Gimblett, Pilgrim, 2023
  • Max Gimblett, The River and the Jungle, 2023
    Max Gimblett, The River and the Jungle, 2023
  • Max Gimblett, The Altar, 2023
    Max Gimblett, The Altar, 2023
  • Max Gimblett, Paradise, 2023
    Max Gimblett, Paradise, 2023
  • Max Gimblett, Full Sail, 2022-23
    Max Gimblett, Full Sail, 2022-23
  • Max Gimblett, The Wild One, 2022
    Max Gimblett, The Wild One, 2022
  • Max Gimblett, Eve, 2023
    Max Gimblett, Eve, 2023
  • Max Gimblett, Moon Suite, 2024
    Max Gimblett, Moon Suite, 2024
  • Max Gimblett, Renewal, 2023
    Max Gimblett, Renewal, 2023
  • Max Gimblett, Picasso's Shield, 2023
    Max Gimblett, Picasso's Shield, 2023
  • Max Gimblett, The Golden Diadem, 2022-23
    Max Gimblett, The Golden Diadem, 2022-23
  • Max Gimblett, The Path of Color, 2023
    Max Gimblett, The Path of Color, 2023
  • Max Gimblett, Jade Treasure, 2023
    Max Gimblett, Jade Treasure, 2023
  • Max Gimblett, Holy Gesture, 2023
    Max Gimblett, Holy Gesture, 2023
Installation Views
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 7
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 18
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 20
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 15
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 1
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 10
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 22
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 9
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 17
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 6
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 2
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 4
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 23
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 25
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 24
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 12
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 29
  • Gimblett 2024 Hands Of Gold Installation View Sam Hartnett Large 21
News
  • Max Gimblett 'Hands of Gold' Reviewed on EyeContact

    Max Gimblett 'Hands of Gold' Reviewed on EyeContact

    June 12, 2024
    Max Gimblett's latest exhibition Hands of Gold has been reviewed by John Hurrell on EyeContact. 'Of the two rectangles, the two metre high The Wild...
    Read more
Press release

Gow Langsford is delighted to present Hands of Gold, an exhibition of new works by Max Gimblett. Hands of Gold features a stunning array of paintings, the majority of which take the quatrefoil shape – a hallmark of Gimblett’s oeuvre. While this essential form repeats, the treatment of surface varies considerably from work to work. There are evenly surfaced monochromes, grid-like patterns, and extravagantly gestural brush strokes in a rich array of colours. What shines through in this diverse range of approaches to painting is the quality of Gimblett’s craft and his distinctive artistic vision.

Gimblett is one of New Zealand’s foremost practitioners of abstract painting, particularly of gestural abstraction. He has engaged extensively with philosophical traditions from both Eastern and Western cultures. These fields of knowledge have permeated his artistic practice, as he has created a painting language entirely of his own. In a review of Gimblett’s work in Artforum magazine, writer Ida Panicelli stated, “Since the early 1980s, the artist has favored the quatrefoil—a format that breaks with the notion of the canvas as a picture window. Suggesting a four-petaled flower, it also evokes the four cardinal points, the four dimensions, or the arms of the Eastern Orthodox cross. It is inspired by the Venus of Willendorf, primeval symbol of female fecundity, as well as by the completely male, quadrilobate design of the tsuba, the Japanese sword guard. Finally, the form alludes to Carl Jung’s four fundamental human activities—sensing, feeling, thinking, and intuiting—pointing toward the centre of being, like a mandala of wholeness.” [1]

This depth of underlying philosophical thought opens up an array of interpretive possibilities. A viewer can engage with them as meditations on the human condition, as richly emotional works of expressionism, or as satisfying works of abstraction with a unique aesthetic. However one chooses to engage with Gimblett’s work, its quality is undeniable. The paintings presented in Hands of Gold further embellish Gimblett’s storied career as an artist.

Born in New Zealand in 1935, Gimblett has been primarily based in New York City since 1972. His extraordinary artistic journey spans over six decades, with an extensive history of high-profile exhibitions and inclusion in public and private collections. He continues to exhibit regularly in both the United States and New Zealand.


[1] Ida Pinacelli, Max Gimblett: Gary Snyder Gallery. Artforum, Summer 2012 (web accessible: https://www.artforum.com/events/max-gimblett-195502/).

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