Raymond McIntyre’s painting Street in Saint Valery-sur-Somme, c.1915, is a charming depiction of the French street, painted by the New Zealand-born expatriate artist. It captures a moment in the small coastal town of Saint Valery-sur-Somme, located in northern France. McIntyre's use of thick brushstrokes and muted yet vibrant colours bring the scene to life, reflecting his deep connection to the European art movements of the early 20th century, predominantly post-impressionism. The composition is intimate, with buildings lining a curved street, leading the viewer's eye deeper into the scene. The figures are loosely depicted, although the charm of the ladies and gentlemen’s Belle Époque fashions are still perceptible.

McIntyre studied at the Canterbury School of Art in Christchurch before moving to London in 1909. There, his work was influenced by post-impressionist artists such as Paul Cézanne, Vincent Van Gogh, and Henri Matisse, whom he admired. Among others, he studied under notable artists such as William Nicholson, George Lambert, and Walter Sickert. Throughout the following decade, he frequently showcased his work at The Goupil Gallery. While McIntyre often depicted street scenes, a subject shared with the Camden Town Group, his technique was distinctly different from theirs. In October 1918, he held a significant exhibition at the Eldar Gallery in London. Then, in 1921, as a member of the Monarro Group, he exhibited at the Goupil Gallery alongside Paul Signac, M.L. Pissarro, and Le Maitre. His work received recognition both during his lifetime and posthumously, with exhibitions such as the 1984 Raymond McIntyre Survey Exhibition at the Auckland Art Gallery Toi o Tāmaki.