James Cousins
b.1965, Christchurch, New Zealand
Lives and works in Auckland, New Zealand
James Cousins is a contemporary painter. Active since the 1990s, he has created a substantial body of complex artworks that explore materiality, image structure, and the mechanics of representation. Cousins uses a broad range of tools in his work, including stencils, vinyl cutters, and armatures. A theme he has often explored is the friction between material and image – how images reconcile with the materiality of paint and canvas.
His works have ranged from representational botanical studies through to abstract informational fields. Cousins sees these works as related, botanical images and abstract works are both translations of visual information into paint. This considered enquiry into the nature of the painted image has been a consistent through line in his work over many years. His paintings can be visually quite distinct from one another while sharing a consistent conceptual framework.
Born and raised in Christchurch, Cousins completed a Bachelor of Fine Arts at Ilam, Canterbury School of Fine Arts (1989) before qualifying as a teacher (1998). He later earned a Master of Fine Arts degree from Elam School of Fine Arts in Auckland (2004), where he is currently a Senior Lecturer. Cousins’ first exhibition was in 1996 and he has exhibited regularly in New Zealand and Australia since. In 2000 he was the recipient of the Christchurch-based Olivia Spencer Bower Award Fellowship. The works he created during this residency are now part of the Christchurch City Art Gallery collection.
Cousins’ exhibition highlights include Necessary Distraction, Auckland Art Gallery Toi O Tamaki, Auckland (2016), the solo exhibition Restless Idiom, Te Uru Waitakere Contemporary Gallery, Auckland (2015), and inclusion in Code NZ at Canvas International in the Netherlands (2004), which resulted in his participation in the 2005 Rotterdam Art Fair.
Gow Langsford Gallery has represented James Cousins since 2008.
-
Flags, 2024
-
Untitled, 2024
-
Untitled, 2022
-
Untitled, 2022
-
Untitled (Lupin 11), 2022
-
Untitled (Lupin 13), 2022
-
Untitled (Lupin 14), 2022
-
Untitled (Lupin 4), 2022
-
Untitled, 2021
-
Untitled, 2020
-
Untitled, 2020
-
Untitled, 2020
-
pl. 194 untitled, 2018
-
pl. 620 untitled, 2018
-
Untitled (pl 112), 2016
-
Untitled (pl 14), 2016
-
Untitled (pl 552), 2015
-
Untitled (Wills), 2014
-
Untitled (Wills), 2014
-
White Bloom, 2011
-
A Following Cadence
James Cousins 11 May - 2 Jun 2022James Cousins' work is known for combining found lens-based depictions of nature with elements drawn from genealogies of abstract painting. His 2020 exhibition, Song Chain, significantly stripped away the densely packed layers prominent in earlier works. In these pared-back works, Cousins' spray-painted rhythmic bands were given space to oscillate and perform.Read more
A Following Cadence similarly sees the use of banded grounds, but with an additional layer of oil paint in a re-purposing of a wave motif into patterned overlays. -
Song Chain
James Cousins 8 Jul - 1 Aug 2020In Song Chain we see a departure from the complex layering and botanical references of works presented in Necessary Distraction at the Auckland Art Gallery (2015) and Restless Idiom at Te Uru (2015). As if in a loosened up rewinding and concentration of process, the artist stays with his most rhythmic set of gestures. Cousins’ characteristic rhythmic bands, a key element in the particular kind of pictorial space he is known for, are given space here to perform in their own right. Loosely figural elements oscillate in parallel with the verticality of the body. Colour evokes identification with soot and spore, of cloud captured in a liquid rhythmic wave. Airborne particles are caught and absorbed as colour then re made by the particulate effect of the spray gun in a lapsed agglomeration of run-offs in a post-industrial chemical version of Renaissance-like Sfumato (smoky line).Read more -
Almost Blue
Group Exhibition 20 Feb - 16 Mar 2019 Auckland CityAssociated with the sea and sky that surround us, the colour blue has seduced artists and their audiences for millennia. Unlike red or yellow ochre, the blue we see day to day cannot be turned into a pigment - instead artists have turned to rare and precious sources to create the colour. The captivating colour has seen artists from Raphael to Pablo Picasso, Wassily Kandinsky to Yves Klein dedicate periods of their practices to studies in blue. This summer, Gow Langsford Gallery applies a blue filter to present Almost Blue, an exhibition which brings together works by international heavy hitter Anish Kapoor alongside prominent Australasian artists including Dale Frank and Max Gimblett.Read more -
Step Size Zero
James Cousins 5 - 29 Sep 2018The title for James Cousins' new exhibition refers to the Graphtec cutters setting, step size 0, the optimum level of precision available, which regulates levels of accuracy during the cutting of the long arcs and curves that make the vinyl stencils employed in the making of Cousins’ works. The demands of these large new works pressurise this precision to a point where unregulated incidentals, slips, rumbles, blips and bleeds seep into the complexly patterned orthodoxy of the cut stencils. This ethos of suggestion and retraction is also echoed through the orchestrated patterns of wide bands, derived from a dual tracking of movement of an airbrush across and around the supporting canvas, evident in the underpainting that layer the canvasses.Read more -
Resident
James Cousins 3 - 27 Aug 2016 Lorne Street [2008 - 2021]James Cousins' new exhibition, Resident, presents a series of new works developing upon earlier thematic ideals and painterly constructs. These rich works create visually active, stimulating paintings that carry an...Read more -
Five Painters
Group Exhibition 12 - 23 Jan 2016 Lorne Street [2008 - 2021]Five Painters is a cross selection of five contemporary New Zealand artists, each with a distinct approach to painting.Read more -
New Work '13
James Cousins 17 Apr - 11 May 2013 Lorne Street [2008 - 2021]Developing and expanding on themes evident in his earlier exhibitions Signal (2009) and Accent (2011), in New Work’13 James Cousins continues to intertwine and enmesh abstraction with figuration in his reticent and illusional works. As in earlier series’, these paintings are constructed through compounded layers of processes. They combine intricate and systemised pattern-making procedures with unmediated spontaneous acts. Impossible tensions arise in the tenuous meeting of his pictorial subjects (in this case flora taken from a published anthology of plants) and material working processes of the paintings themselves. This is compounded in some works by deliberate and heavy overworking of otherwise delicate and fragile paint surfaces.Read more -
Accent
James Cousins 29 Jun - 16 Jul 2011 Lorne Street [2008 - 2021]James Cousins is known for his complex paintings which are formed from combined stencils, found imagery and processes extending from a paint, canvas, materiality nexus. Accent presents the second instalment...Read more -
TAG
James Cousins & Simon Ingram 9 - 23 Jan 2010 Lorne Street [2008 - 2021]TAG is the first exhibition in the INITIATIVE series, a program established to offer gallery artists an opportunity to exhibit more experimental or project based works and to add diversity to the gallery exhibition schedule.Read more
In TAG painters Simon Ingram and James Cousins present an exhibition of new paintings that sit outside their regular exhibiting practice. As the title suggests their joint exhibition promotes an exchange of ideas and provides a new context in which to consider their works. -
Signal
James Cousins 10 Mar - 3 Apr 2009 Lorne Street [2008 - 2021]In his inaugural show with Gow Langsford, James Cousins presents a body of painting that both draws from and expands on concepts explored in his earlier practice. Aligned with his...Read more
-
James Cousins Artist Talk
May 25, 2022Please join us at 2pm on Saturday 28 May for an artist talk and Q&A with Dr. Ruth Watson and James Cousins discussing his new...Read more -
James Cousins in Sculpture On the Gulf 2022
March 2, 2022James Cousins features in this years' Sculpture on the Gulf on Waiheke from 4-27 March. It is the first time Cousins has done an outdoor,...Read more -
James Cousins and Virginia Leonard at Sculpture On the Gulf for 2022
September 29, 2021Gallery artists James Cousins and Virginia Leonard have been selected as two of the 25 participants for Sculpture On the Gulf 2022 on Waiheke Island...Read more -
James Cousins' Song Chain Reviewed
July 21, 2020James Cousins' Song Chain has been reviewed by Arts writer John Hurrell for Eye Contact. 'This is a refreshing show loaded with paradox and sly...Read more -
Painting Politics Symposium
July 10, 2019Painting Politics, supported by Politico-Aesthetics Research Centre (PARC) Faculty of Arts & Faculty of Creative Industries, The University of Auckland, Dame Jenny Gibbs, and The...Read more -
T.J. McNamara reviews Cousins and McCracken exhibitions
August 24, 2016NZ Herald writer T.J. McNamara reviews both exhibitions currently on at Gow Langsford. On David McCracken's Plain View, he states: 'They are more cheerful than...Read more -
James Cousins' 'Resident' Reviewed on EyeContact
August 11, 2016John Hurrell reviews James Cousins' new exhibition Resident. '...this very process of denying the power of any one isolated single image - a sabotaging, wounding,...Read more
-
Sydney Contemporary 2024 | Booth C02
5 - 8 Sep 2024Gow Langsford Gallery returns to Sydney Contemporary , bringing with it a rich tapestry of talent cultivated over the years. The central focus of the...Read more -
Auckland Art Fair 2016 | Booth B14
25 - 29 May 2016For the 2016 Auckland Art Fair, Gow Langsford Gallery will present a solo project by Dick Frizzell and a group showing of new works by selected gallery artists, both local and international. Frizzell’s I’m here for the Monkey painting is based on his Phantom works that began in the 1990s. Like a pick-a-path book, viewers are encouraged to make their own narratives by creating their own groupings of several smaller works. The title is based on a famous Phantom adventure. 2016 is the year of the monkey.Read more -
Sydney Contemporary 2015 | Booth B02
10 - 13 Sep 2015We are excited to be participating in Sydney Contemporary 2015. Visit us at Booth B2 and see new works by Judy Millar, Andre Hemer, James Cousins, Graham Fletcher, Dale Frank and Paul Dibble alongside works by Colin McCahon, Gordon Walters, Jono Rotman and Tony Cragg.Read more